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Constitutionalism versus revolution: which frame of reference for the progressive artist?
Katiba yetu, wakenya, wakenya, Katibu ye-tu wakenya tuitekeleze A line off a rendition of Wimbo wa mapambano that is usually…
This War Must Be Won
I grew up with pretty much nothing learnt means of survival the hard way Smiled even when there was nothing…
MWAKENYA HOUSE: A Bastion of Revolution in the Heart of Kenya
On the outskirts of Nairobi, where the city's bustle fades into the…
Dreaming of Freedom: The Role of Language and Symbols in the Liberation of Women
“We will not know our own injustice if we cannot imagine justice. We will not be free if we do…
Legacy Unbroken: The Oath of 2033
In the eerie silence that hung over Nairobi in 2033, something ancient stirred beneath the city's concrete bones. A generation…
Editorial: Dark Clouds Gather, Terrains of Struggle
This 5th issue of Ukombozi Review is a collage of debates. It comes out at a time when some dark…
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Editorial: Looking forward, backward, movement
Small steps, little beginnings, experiences, connections, that’s all there is, the way to begin any…
Sankara: Imperfect, but his idealisation always will imbue his revolutionary sheen
Few African leaders remain as renowned, especially in death, or whose very mention still excites…
A new dawn is on the horizon
A new year has arrived It’s the year 2023 Ukombozi Review rolls on in the…
Kasee Dumpsite
I recently visited Dandora Dumpsite on a writing assignment. Every time I see the site,…
A Review of “Cocktail From The Savannah”
If I were to describe "Cocktail from the Savannah" in a few words, I would…
Support Women Artists Now (SWAN) Festival
Support Women Artists Now - SWAN - is a festival that, as the name suggests,…
